Arrival of the Normandy Train, Gare Saint-Lazare was an especially appropriate choice of subject for Claude Monet in the 1870s. The terminal, linking Paris and Normandy, where Monet’s technique of painting outdoors had been nurtured in the 1860s, was also the point of departure for towns and villages to the west and north of Paris frequented by the Impressionists. Monet completed eight of his twelve known paintings of the Gare Saint-Lazare in time for the third Impressionist exhibition, in 1877, probably placing them in the same gallery.